If there was ever a dissenter from the national optimismit was surely Edgar Allan Poe--without question the bravest and mostoriginal, if perhaps also the least orderly and judicious, of all the critics that we have produced.

The essence of a sound style is that it cannot be reduced to rules-that it is a living and breathing thing with something of the devilish in it-that it fits its proprietor tightly yet ever so loosely, as his skin fits him. It is, in fact, quite as seriously an integral part of him as that skin is. . . . In brief, a style is always the outward and visible symbol of a man, and cannot be anything else.

A bad artist almost always tries to conceal his incompetence by whooping up a new formula.

You can't do anything about the length of your life, but you can do something about its width and depth.

Experience is a poor guide to man, and is seldom followed. What really teaches a man is not experience, but observation.

It is the invariable habit of bureaucracies, at all times and everywhere, to assume...that every citizen is a criminal. Their one apparent purpose, pursued with a relentless and furious diligence, is to convert the assumption into a fact. They hunt endlessly for proofs, and, when proofs are lacking, for mere suspicions. The moment they become aware of a definite citizen, John Doe, seeking what is his right under the law, they begin searching feverishly for an excuse for withholding it from him.

Better than the rest of us, they [the Jews] sensed what was ahead for their people.