I think once you have films in certain festivals you begin to have name recognition, and there are possibilities. Especially for independent filmmakers, it's always good to try the international market because it doesn't have the same kind of baggage.

There's no other way but struggling, forging ahead to do the film.

For any movement to emerge, it has to be innovatively independent from the mainstream cinema, and I don't see that much.

I think once you have films in certain festivals you begin to have name recognition, and there are possibilities. Especially for independent filmmakers, it's always good to try the international market because it doesn't have the same kind of baggage.

I think once you have films in certain festivals you begin to have name recognition, and there are possibilities.

Most young people now are very vulnerable as to what the American film aficionados are going to say. They care too much about a system that has no room for them. It's really a serious issue for me, because to me it's, how do I survive beyond a film that was disgraced or praised?

Tarantino is a spoiled little white kid. He can do any movie he wants and nobody can do anything about it.