One of the problems with putting Huck Finn into a movie or on the stage is, you always make the white people stupid and racist. The point is, they don't know they're racist.

I don't have a director. The audience directs me.

I developed a resistance to authority. Not to discipline - I learned that. But to authority. I like to think for myself. And I like to cause trouble.

Success is no longer content. It's how it sells.

I never, ever update Mark Twain. I don't modernize it. I let the audience update the material. When I go out on stage, I'm trying to make the audience believe they're looking at this guy who died 104 years ago and listening to him and saying to themselves, "Jesus, he could be talking about today." And that's the point.

Why do I keep performing at my age? What else am I going to do? Play golf? I tried that years ago and all I did was cuss. I can do that without the walk, cuss at Congress and let [Mark]Twain do it. "Imagine that you were an idiot. And then imagine that you were a member of Congress. Wait - I've repeated myself."

The interesting scope of Mark Twain's development as a human being is that he grew. He saw, he travelled, he studied this country and later the world with the eye of a man educating himself. This is a central fact in the Mark Twain legacy. He became an American spokesman for the ideals of racial equality and dignity for the working man because he was willing to look the world in its face and see, really see what was happening to the people in it.