I guess the freedom - poetic freedom - because the poetic part of short story form is an attempt to say something that's unsayable about one's incarcerated existence, and it's fun to come up with words to represent that condition, and it's fun to pull the tail of absurdity and rile it up, where you giggle at what you do or you get enthralled and in the short story.

I don't mean to talk so much about screenplay writing. Who wants to talk about screenplay writing? I've taught it and I felt like a charlatan because what I was teaching I probably couldn't do.

Life is sinister. I don't know if I am representing life exactly, but sinister, I think it has to do with dreams. You're dreaming when you're awake: you're sitting on the subway and you look around, and you can think of sinister things that are kind of delightful to think of because they're not really happening, but they are in your mind. They're about wishes, desires - sexy, dangerous, hopeful, the way it could be, maybe.

I tried to write things, but they were so ridiculous and stupid and impossible and I had not a clue what they were, so that delusion went on for a long time. Maybe it's still going on, only somehow I sucked some people in. It was a long time of writing things that didn't make sense in the real world, and I'm embarrassed about them now in a jocular way.

I wonder if these editors, why they're not writers sometimes, because they know so much about writing.

I guess the freedom - poetic freedom - because the poetic part of short story form is an attempt to say something that's unsayable about one's incarcerated existence, and it's fun to come up with words to represent that condition, and it's fun to pull the tail of absurdity and rile it up, where you giggle at what you do or you get enthralled and in the short story.

It's really hard to write a screenplay, it's nauseating. All those great writers that tried to write screenplays, they couldn't do it, most of them - John Faulkner, whoever, Aldous Huxley.