Getting over someone is a grieving process. You mourn the loss of the relationship, and that's only expedited by 'Out of sight, out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine, it reopens the wound. It's a high-class problem, but it's real.

You have to always physicalize, when you do animation recording. Otherwise, you won't get the performance right.

Getting over someone is a grieving process. You mourn the loss of the relationship, and that's only expedited by 'Out of sight, out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine, it reopens the wound. It's a high-class problem, but it's real.

I put a tremendous amount of pressure on myself. I felt like I shouldn't have to audition for anything and all that. And that energy did not serve me at all.

I don't really remember much about the '60s at all. You know, 1970 is the first year I remember pretty well.

I joke that my niche in Hollywood has been naked foreigners.

The craft Emmys are kind of the kids table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.