I often see cases of Internet news where there's no reconciliation for what's gone before and what's newly arrived. That training for me - which was absolutely brutal and I was terrified - was so important, especially later in life when one was faced with conflicting stories and conflicting evidence.

People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?

I love craftsmanship of any kind, a job well done either by my chiropractor or carpenter, and I am addicted to print, the type, the ink. But my basic passion is journalism and I can't live without being online.

[We need to] protect copyright at all costs. Don't do cheap deals with Google and these other cyber-monsters. Recognize that the creative artist has to be maintained.

Attempting to get at truth means rejecting stereotypes and cliches.

The credibility of a newspaper or news magazine is essential so you can check it for accuracy. I'm not saying it's not valuable. One can make a case for just running everything. Just run it! That's one of the advantages of the web, you can run everything - but you don't help the reader find out what's important.

What I'm driving at is let's not lose sight in our excitement of the democratization of the media that some things are bad, false and ugly - and no amount of electronic gloss will make them true, beautiful and accurate.