When I first came to the United States in 1956 I fell in love with things - mainly the vitality and the freedoms.

The camera cannot lie, but it can be an accessory to untruth.

Actions are always more complex and nuanced than they seem. We have to be willing to wrestle with paradox in pursuing understanding.

Propaganda is persuading people to make up their minds while withholding some of the facts from them.

I think a lot of newspapers have lost touch with that sense of community, which so impressed me as a teenager when I had to knock on people's doors.

This impressed me when I was the editor of the Sunday Times [of London] - we had the "Bloody Sunday" killings of 13 unarmed civilians by British paratroopers. We interviewed 500 people for our report, and not one of them could give us a total picture of what was happening. It was like the Rashomon effect multiplied a million times. For a website or even a newspaper to be a collector of information flow is not the highest form of journalism.

My wife [Tina Brown] co-founded the Daily Beast, so I have no hostility to the web or Internet. A number of print friends of mine regard it as the worst thing that's ever happened, but I don't.