People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?

For 50 years my father worked for the railroad.

My wife [Tina Brown] co-founded the Daily Beast, so I have no hostility to the web or Internet. A number of print friends of mine regard it as the worst thing that's ever happened, but I don't.

I think there's a lot of benefit in letting people vent. When I was on the Manchester Evening News, we got 500 letters a day, and part of my job as editor was to edit them. And I thought that was one of the best things in the newspaper, and it was instituted by an editor known as Big Tom, who said 'this is the voice of the people.' And he was quite right.

People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?

[We need to] protect copyright at all costs. Don't do cheap deals with Google and these other cyber-monsters. Recognize that the creative artist has to be maintained.

The 'gatekeepers' became a term of revile. But when you think about the flow of information, I personally value immensely the calibration a news organ, whether it's on the web or in print, brings to the floodwaters of information. I haven't the time to read all the dispatches of the Associated Press, for example. It's fantastic what they put out, it's extremely good, from all over the world. I like when someone acts as a filter.