I wrote about Bosnia at the time. Somebody looked out their window and saw gangsters coming down the street and doing ethnic cleansing. I said that was the thing that would happen in the future, someone phoning in what they were seeing on the scene. Whether it's the Huffington Post, the Daily Beast, Drudge Report or the BBC, all those reports, you have to assume there's a real person [who] has credibility.

[We need to] protect copyright at all costs. Don't do cheap deals with Google and these other cyber-monsters. Recognize that the creative artist has to be maintained.

Television and radio are what I call sequential media; they're not simultaneous media. With simultaneous media, you can scan your eye down an electronic or print page and pick among six or seven stories you might like and want to read. With television and radio, you have to wait until the guy's finished talking about the balloon boy, which I don't have the slightest interest in, to find out that all hell's broken loose in Baghdad. Because they've chosen that day to start with the balloon boy.

Journalism is not easy. It's the first rough draft. I don't think you need to wait around until you have the definitive thing. You record what's there; don't delude yourself that this is the ultimate historical view.

I often see cases of Internet news where there's no reconciliation for what's gone before and what's newly arrived. That training for me - which was absolutely brutal and I was terrified - was so important, especially later in life when one was faced with conflicting stories and conflicting evidence.

People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?

Transmitting information is easier than creating understanding.