My wife [Tina Brown] co-founded the Daily Beast, so I have no hostility to the web or Internet. A number of print friends of mine regard it as the worst thing that's ever happened, but I don't.

It's a fascinating time, I think. I do believe that with all the qualifications I've said - [such as] the uncertain accuracy of the web - nonetheless the access to speeches, documents is unparalleled with the ease of gathering information. If I had had that access when I was an editor or coming up, it would have made my life so much easier. As it was, everything took so much longer.

When I first came to the United States in 1956 I fell in love with things - mainly the vitality and the freedoms.

Propaganda is persuading people to make up their minds while withholding some of the facts from them.

This impressed me when I was the editor of the Sunday Times [of London] - we had the "Bloody Sunday" killings of 13 unarmed civilians by British paratroopers. We interviewed 500 people for our report, and not one of them could give us a total picture of what was happening. It was like the Rashomon effect multiplied a million times. For a website or even a newspaper to be a collector of information flow is not the highest form of journalism.

Television and radio are what I call sequential media; they're not simultaneous media. With simultaneous media, you can scan your eye down an electronic or print page and pick among six or seven stories you might like and want to read. With television and radio, you have to wait until the guy's finished talking about the balloon boy, which I don't have the slightest interest in, to find out that all hell's broken loose in Baghdad. Because they've chosen that day to start with the balloon boy.

The camera cannot lie, but it can be an accessory to untruth.