My view is that "A Small Oak Tree Runs Red" is about putting people 'on the record,' who otherwise would have been forgotten, as a result of their bravery and love for one another. These characters demand justice, and they got punished for it. If we can correct that record in our artistic expression, in a poetic form such as this play, then that is our entire purpose and greatest benefit.

More than a non-acting director, I think I notice when an actor is not believing in themselves. Chicago actors in particular, they work very hard and are very talented, but sometimes they don't trust how talented they are. I notice when they keep something in reserve.

There was a lynching case as late as 2011, so it's not as far away as we think. I think persecution by powerful structures, on a people who are marginalized, is not new. The idea of lynching is well known, and the way we present it in the play makes the lynching somewhat of a relief, compared to the barbaric treatment they were receiving as sharecroppers.

People learn who they are by the images of themselves, the representations that they seek.

Hollywood loves to pat itself on the back and espouse their rhetorically liberal points of view while they continue to be the 1 percent and point the finger at the other guy.

I think that Hollywood is content with condescending to Black people, patronizing them, feeling sorry for us, and I think we're happy to take the pat on the head as a people and take whatever awards.

I hope that people will come and experience our play 'A Small Oak Tree Runs Red' . I don't want anybody to suffer, but I source the 18th Century philosopher David Hume in association with the experience. He asserted that when we go to a tragic play, and when the form of tragedy is well put together, then we can experience a catharsis that is soul cleansing, and an anodyne to what our life would be like without it.