When I was growing up, we learned our history almost as lives of the saints. And it came as a shock, "Oh, Jefferson had slaves?" It always comes as a shock to us that elevation to the White House didn't somehow cleanse them of all their deep character flaws.

You have to do real acting, not just do a voice.

I didn't have a lot of independent film connections. It really took until the digital film revolution came along that I realized that I could do it myself.

As a kid, I really did want to hang out with the grownups, so it was hanging out with the hippest grownups in the world. This was the nicest bunch of people I've worked with in show business, with the exception of the people around 'A Mighty Wind.' It really was a wonderful eight years.

I would come back to public school for usually about half the year. It was actually better for me to be out of school a lot, because I was two years younger than everybody, which is a bad situation, socially.

I think in most cases, if you're with good people, comedy creation happens faster in collaboration. That's how I can tell if it's a good collaboration: If it's faster than me by myself, then it works. If it's slower than me by myself, then I get out of the room.

I was never into candy and games and clowns.