Haruki Murakami Quotes

Everything. Things you lost. Things you’re gonna lose. Everything. Here’s where it all ties together.

I have these realistic dreams and snap wide awake in the middle of the night. And for a while I can't work out what's real and what isn't... That kind of feeling. Do you have any idea what I'm saying?

When it's all over, it'll seem like a dream.

A certain type of perfection can only be realized through a limitless accumulation of the imperfect.

Sometimes, however, this sense of isolation, like acid spilling out of a bottle, can unconsciously eat away at a person’s heart and dissolve it.

What a terrible thing it is to wound someone you really care for and to do it so unconsciously.

All right, then, I thought: here I am in the bottom of a well.

Running taught me to have faith in my skills as a writer. I learned how much I can demand of myself, when I need a break, and when the break starts to get too long. I known how hard I am allowed to push myself.

It takes years to build up, it takes moments to destroy.

I've always liked libraries. They're quiet and full of books and full of knowledge.

You don't have to judge the whole world by your own standards. Not everybody is like you, you know.

I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.

Where are you now?’ Where was I now? Gripping the receiver, I raised my hand and turned to see what lay beyond the telephone booth. Where was I now? I had no idea. No idea at all. Where was this place? All that flashed into my eyes were the countless shapes of people walking by to nowhere. Again and again, I called out for Midori from the dead center of this place that was no place.

No, I don't want your money. The world moves less by money than by what you owe people and what they owe you. I don't like to owe anybody anything, so I keep to myself as much on the lending side as I can.

Time is too conceptual. Not that it stops us from filling it in. So much so, we can't even tell whether our experiences belong to time or to the world of physical things.

When a writer develops a story, he is confronted with a poison that is inside him. If you don't have that poison, your story will be boring and uninspired. It's like fugu: The flesh of the pufferfish is extremely tasty, but the roe, the liver, the heart can be lethally toxic.

I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book.

You're walking through a field all by yourself one day in spring and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, 'Hi, there, little lady. Want to tumble with me?' So you and the bear spend the whole day in each other's arms, tumbling down this clover-covered hill. Nice, huh?

I am nothing. I’m like someone who’s been thrown into the ocean at night, floating all alone. I reach out, but no one is there. I call out, but no one answers. I have no connection to anything.

It's a question of attitude. If you really work at something you can do it up to a point. If you really work at being happy you can do it up to a point. But anything more than that you can't. Anything more than that is luck.

This may be the most important proposition revealed by history: At the time, no one knew what was coming.

Everything in life is a metaphor.

My father belongs to the generation that fought the war in the 1940s. When I was a kid my father told me stories - not so many, but it meant a lot to me. I wanted to know what happened then, to my father's generation. It's a kind of inheritance, the memory of it.

In a sense, I'm the one who ruined me: I did it myself.

That was the rule. Break one of my rules once, and I’m bound to break many more.

I’m free, I think. I shut my eyes and think hard and deep about how free I am, but I can’t really understand what it means. All I know is I’m totally alone. All alone in an unfamiliar place, like some solitary explorer who’s lost his compass and his map. Is this what it means to be free? I don’t know, and I give up thinking about it.

The best point of my novels, I think, is their humor. I want to keep many my works humorous.

Death is not the opposite of life, but a part of it.

Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.

My biggest fault is that the faults I was born with grow bigger each year.

After all this, I won't start to hate you.

Death leaves cans of shaving cream half-used.

According to Chekhov," Tamaru said, rising from his chair, "once a gun appears in a story, it has to be fired." "Meaning what?" "Meaning, don't bring unnecessary props into a story. If a pistol appears, it has to be fired at some point. Chekhov liked to write stories that did away with all useless ornamentation.

You can hide memories, but you can’t erase the history that produced them.

As long as possible, I would really like to complete one marathon per year. Though my time has been slowing down as I get older, it has become a very important part of my life.

So once you're dead there's just nothing? Mari: Basically... Korogi: I get so scared when I start thinking about this stuff. I can hardly breathe, and my whole body wants to shrink into a corner. It's so much easier to just believe in reincarnation.

I have always liked running, so it wasn't particularly difficult to make it a habit. All you need is a pair of running shoes and you can do it anywhere. It does not require anybody to do it with, and so I found the sport perfectly fits me as a person who tends to be independent and individualistic.

You might think you made a new world or a new self, but your old self is always gonna be there, just below the surface, and if something happens, it'll stick its head out and say 'Hi.' You don't seem to realize that. You were made somewhere else.

Certain kinds of knowledge rob people of their sleep.

In the spring of her twenty-second year, Sumire fell in love for the first time in her life.

My father always told me: 'Give somebody a hand and he'll take an arm.

How many Sundays - how many hundreds of Sundays like this - lay ahead of me? “Quiet, peaceful, and lonely,” I said aloud to myself. On Sundays, I didn't wind my spring.

Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.

At any rate, that’s how I started running. Thirty three—that’s how old I was then. Still young enough, though no longer a young man. The age that Jesus Christ died. The age that Scott Fitzgerald started to go downhill. That age may be a kind of crossroads in life. That was the age when I began my life as a runner, and it was my belated, but real, starting point as a novelist.

Ordinary imperfect people, always choose similarly imperfect people as friends.

I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once.

You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. Now I just have to polish these off, and everything'll be OK. Life is a box of chocolates. I suppose you could call it a philosophy.

There are ways of dying that don't end in funerals. Types of death you can't smell.