Well, it's such an intricate, beautiful script about eight professional robbers pulling a heist, and it deals with elements of betrayal, trust, instinct, and need for relationships.

Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.

He brought imagination to the story of the Creation.

I don't think about those things, really. I work hard on everything I do. Everything is a struggle, everything is hard, everything is difficult.

You're working on being a father, so that is something that when you experience it you'll understand the profundity of wanting to protect something dear to you.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.