I presume my work has also always been about reduction without any distraction or after effects, outside emotions, or intimacy or complicity with the subject.

Mostly the subject of the photograph, which can be anyone really, coming down the street - someone that has no idea. "Heroism" in photography, just like in a novel, is for everyone.

I like the idea of paradox, between the authentic fabrics and sophisticated shapes and between masculine and feminine. I'm not so much for sportswear. I think it's over.

I presume my work has also always been about reduction without any distraction or after effects, outside emotions, or intimacy or complicity with the subject.

I like the ritual, the liturgy of a well-crafted, emotional fashion show. I will never be jaded with this side of fashion. The catwalk is pure anthropology, something like an esoteric encrypted parade. It can totally be replaced but it will be missed.

I always loved designing, but the context needs to be right, and have a positive perspective.

The perfect integrity of The NewYork Times, and its writers, is not precisely 'just silly nonsense,'