I like the idea of paradox, between the authentic fabrics and sophisticated shapes and between masculine and feminine. I'm not so much for sportswear. I think it's over.

I presume my work has also always been about reduction without any distraction or after effects, outside emotions, or intimacy or complicity with the subject.

My parents offered me my first camera for my birthday and I developed an exclusive passion for it over the years. Since I was not the most social kid on the block, the camera helped me to express myself, invent my own language - something like a secret garden. I decided early on I would not write in a diary but take silent photographs instead.

The framework of men's wear is so narrow, that when you play at the edges you get labeled.

I'm most interested in that moment when my entire perspective changes, and I have to reconsider everything.

The iPad needs to catch up with Flash before I put a hand on it.

I always loved designing, but the context needs to be right, and have a positive perspective.