Any role that's proactive is a great role, and action roles are by their very nature proactive. You get to do stuff. I hate sitting in a corner - I'd much prefer an action role in a popcorn movie rather than pining in a corner not doing anything.

You write your life story by the choices you make. You never know if they have been a mistake. Those moments of decision are so difficult.

It's outrageous. It's ridiculous. And 'twas ever thus. We all watched James Bond as he got more and more geriatric, and his girlfriends got younger and younger. It's so annoying.

I used to look out the window of my bedroom as a kid, and there were these stars that, in my mind, made a big "A" in the sky. I thought my destiny was to go there.

I am quite spiritual. I believed in the fairies when I was a child. I still do sort of believe in the fairies. And the leprechauns. But I don't believe in God.

A war film can be propaganda and they're very valuable as propaganda, as we realized in Britain in the Second World War. Film as propaganda is a very valuable tool. It can also demonize, which is the dangerous side of a war film as propaganda. But there are war films that are not propaganda. It's just saying 'This is what it's like.' For 99 percent of us we don't know what it's like. We have no idea. So to reveal that to the audience is powerful.

Fresh from a costume fitting, where I had been posing in front of the mirror assuming what I thought was a strong position - arms folded, butch-looking...you know - I met with the woman in charge of Holloway police station. She gave me the most invaluable advice: never let them see you cry, and never cross your arms. When I asked why, she said 'because it is a defensive action and therefore weak.