Acting is acting, but acting is different in almost always every project, and very, very different in this context.

It's outrageous. It's ridiculous. And 'twas ever thus. We all watched James Bond as he got more and more geriatric, and his girlfriends got younger and younger. It's so annoying.

The French always seemed to be so chic. The food was better, the clothes were better, the makeup was better, the hair was better. Everything was better in France.

I couldn't handle the rules the Queen has to live by at all, and very few of us could. It's a golden cage, really. You're never alone in that role - you are always surrounded by security.

I still suffer terribly from stage fright. I get sick with fear. Not every night, but at the beginning and on occasion - not necessarily when I'm expecting it. You just have to cope with it - take it on the chin and work through it, trying to use the adrenalin to perform.

I'm under the impression that this notion of decency is disappearing from our society where conflicts are made worse on cinema and on television, where people are nasty and cruel on the Internet and where, in general, everybody seems to be very angry.

My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.