Basically, my musical life is split between raving with drugged-up kids and reading obscure 75-year-old poetry, drinking very nice red wine with aged, graying men.

I think all artists secretly hope their kids might do something safer and straitlaced: maybe my daughter 'll be a banker.

I love sequencing and programming, and I'm drawn to drum 'n' bass music. I love James Murphy's productions - and hey, he wears my socks!

I had a dream about building a house on a dock, composed from 100 triangles. You'd have to sail from room to room. And maybe the entrance would be the mouth of a whale.

Because we're on the outside of everything, and we're a small group of countries - Scandinavia , we have a unique vantage point. We are extremely good at focusing our ideas into art and music and design that fits a global state of mind. Being observers of the rest of the world allows us to express something pure that goes beyond borders, beyond planets.

I designed New York boutique myself, the same as I designed the previous retail spaces in Copenhagen and Olso. The inspiration for the interior is similar to those, as well. Of course, I also build sets for my shows and other personal projects, so I think about how to design "space" often. I also do a lot of installations for other companies, have done pop-up projects, so transforming environments the Vibskov way is always a fun challenge.

I think the British government's cutting back of arts funding is such a crime. I bet it will happen in Denmark soon, too.