Basically, my musical life is split between raving with drugged-up kids and reading obscure 75-year-old poetry, drinking very nice red wine with aged, graying men.

I was educated in London at Central Saint Martins and had this whole thing about getting together with a lot of international students. Twenty-three languages were spoken during our lunch breaks! The school was very open minded, you could do whatever you wanted. Some people loved that freedom, others got lost. Gareth Pugh was a classmate, and so was Peter Jensen.

We make the patterns on the computer, but we also paint them by hand - it's a combination of digital and screen-prints. I'm trying to do as much as I can myself in the studio.

I designed New York boutique myself, the same as I designed the previous retail spaces in Copenhagen and Olso. The inspiration for the interior is similar to those, as well. Of course, I also build sets for my shows and other personal projects, so I think about how to design "space" often. I also do a lot of installations for other companies, have done pop-up projects, so transforming environments the Vibskov way is always a fun challenge.

I had a dream about building a house on a dock, composed from 100 triangles. You'd have to sail from room to room. And maybe the entrance would be the mouth of a whale.

I think all artists secretly hope their kids might do something safer and straitlaced: maybe my daughter 'll be a banker.

Inspiration comes from everywhere. Western, Non-Western cultures - I'm open-minded. I love to travel. But not only for inspiration. Alas, timewise, I have a problem with that. Touring, museums, designing, babies.