We must begin to understand the nature of intertextuality . . . the manner by which texts poems and novels respond to other texts. After all, all cats may be black at night, but not to other cats.

For black America needs a politics whose first mission isn't the reinforcement of the idea of black America; and a discourse of race that isn't centrally concerned with preserving the idea of race and racial unanimity. We need something we don't yet have: a way of speaking about black poverty that doesn't falsify the reality of black advancement; a way of speaking about black advancement that doesn't distort the enduring realities of black poverty.

In a one-hour documentary, you can tell maybe ten stories. That's how the documentary is structured. I wrote to forty of the greatest historians of both African and African-American history, and hired them as consultants. I had them submit what they thought were the indispensable stories, the ones they felt this series absolutely had to include.

The sad truth is that the civil rights movement cannot be reborn until we identify the causes of black suffering, some of them self-inflicted. Why can't black leaders organize rallies around responsible sexuality, birth within marriage, parents reading to their children and students staying in school and doing homework?

Censorship is to art as lynching is to justice.

We can see that the complexity we witness inside the African-American community today has always been there. Black people were just as noble and just as ignoble as anybody else.

All of the guests on 'Faces of America' were deeply moved by what we revealed about their ancestry. We were able to trace the ancestry of Native American writer Louise Erdrich back to 438 A.D. We found that Queen Noor is descended from royalty, and that's before she married King Hussein of Jordan.