I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.

I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience.

Chaos is hateful. That indeterminate nature of war brings a really unsettling atmosphere to life.

In modern studios, we're so used to becoming little dictators; you're used to the fascism of having complete control over every element.

I try to be original in every piece of music I do, and of course I probably fail every time.

I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.

People do things for love and belief and passion, not just because they're paid to do it.