People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.

A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.

Even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little.

I like the idea of reading into people's faces when they're not emoting. Some people are fascinated, some are sympathizing.

People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.

At the end of the day, if you don't identify with the main characters, no television show will work.

I like the feeling of keeping people off-balance and having the audience not knowing where I'm coming from or keeping that mysterious.