TV is generally an unfriendly environment for directors because you're expected to come in and tell a story in the voice of the show that already exists, and just fill in the blanks and then submit it back.

Shooting videos with lots of effects is like shooting a bunch of puzzle pieces.

Too many things are possible in a dream. It's most interesting when you don't know which space you're in.

I like the idea of reading into people's faces when they're not emoting. Some people are fascinated, some are sympathizing.

I like the feeling of keeping people off-balance and having the audience not knowing where I'm coming from or keeping that mysterious.

People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.

A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.