I like the idea of reading into people's faces when they're not emoting. Some people are fascinated, some are sympathizing.

Shooting videos with lots of effects is like shooting a bunch of puzzle pieces.

At the end of the day, if you don't identify with the main characters, no television show will work.

TV is generally an unfriendly environment for directors because you're expected to come in and tell a story in the voice of the show that already exists, and just fill in the blanks and then submit it back.

I'm a fan of the mythos of Atlanta hip-hop, and it's something I grew up imagining. It was very interesting to get there and see the real version of this world and then reconcile the differences between what's presented as Atlanta hip-hop to the rest of the world and what the real, breathing version of it is.

People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.

Even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little.