I like the idea of reading into people's faces when they're not emoting. Some people are fascinated, some are sympathizing.

The way I look at stories is often from far outside, like a god's point of view, and also very, very subjective.

Shooting videos with lots of effects is like shooting a bunch of puzzle pieces.

I like the feeling of keeping people off-balance and having the audience not knowing where I'm coming from or keeping that mysterious.

If artists do have ideas, they're often not great.

People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.

Too many things are possible in a dream. It's most interesting when you don't know which space you're in.