I like the idea of reading into people's faces when they're not emoting. Some people are fascinated, some are sympathizing.

At the end of the day, if you don't identify with the main characters, no television show will work.

I love museums, but I always thought there was something funny about a group of strangers silently staring at works of inanimate objects together. Each person is having a very personal and maybe even emotional experience, but it's in the confines of an extremely quiet and sterile room.

That exact moment when you're about to realize that this might be a dream is my favorite thing.

Even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little.

A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.

Too many things are possible in a dream. It's most interesting when you don't know which space you're in.