I didn't want to be criticized for taking low-quality photographs, so I tried to reach the best, highest quality of photography and then to combine this with a conceptual art practice. But thinking back, that was the wrong decision [laughs]. Developing a low-quality aesthetic is a sign of serious fine art-I still see this.

I don't love the postmodern statement: "You shouldn't be spiritual if you are the artist."

Fossils work almost the same way as photography as a record of history. The accumulation of time and history becomes a negative of the image. And this negative comes off, and the fossil is the positive side. This is the same as the action of photography.

I came to California in 1970 and so many people were asking if I was a Buddhist or knew Zen theory, asking if I was enlightened already or not. So I said, "Yes, I am enlightened," and then I studied quickly to catch up.

Life is one passage and then you keep moving into another state.

Art always helps religion; it became an inseparable phenomenon when human beings gained consciousness.

The Buddhist concept is that it takes 48 days to get near this state [of death]. So it's a slow process, moving into, not a permanent death, but the world of the dead.