Especially for this film [ 47 ronin] there's a nice mixture between western and eastern. So Ronin wearing the boots, like Western style. It's a nice mixture.

The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.

Keanu Reeves learned a lot, respecting the culture. I was surprised when I first met him. He knew a lot already and he learned a lot. And also he learned Japanese. It's incredible. On the set, switching between the Japanese and English, even for us, is very hard. It's complicated. But the first time Keanu spoke in Japanese it was a very important scene between us, and more than the dialogue's meaning, I was moved. His energy for the film, completely perfect Japanese pronunciation. It was moving, surprising, respecting.

I was very comfortable on the set of Lost. I was so nervous when I went on to the set because I had just watched all the Lost episodes. I was, like, a fan. A big fan.

Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him.

47 Ronin is a very special movie for me. Not only a Samurai thing. Not only a Hollywood fantasy. It has a very special mixture between Japanese traditional culture and Western culture for the costume, set, story. Everything. I believe it will be a very special film that no one has ever seen.

None of us knows how long he shall live or when his time will come. But soon, all that will be left of our brief lives is the pride our children feel when they speak our names.