Kerouac was this kid who exemplified something happening.

What the Japanese are, are the Americans of the 21st century. Essentially what is objectionable about them is what was objectionable about Americans when we had the ball. However, they are committed in a way that American technology is not.

In the broad sense design means thinking about what the function or purpose of things or processes are, and translating that into action.

Markets are as old as the crossroads. But capitalism, as we know it, is only a few hundred years old, enabled by cooperative arrangements and technologies, such as the joint-stock ownership company, shared liability insurance, double-entry bookkeeping.

There is the global teenager hypothesis, that what happened in the '60s in America was that there was, the baby boom cohort grew up at the same time that television and popular music grew up, so that we had this carrier frequency that we all tuned into that gave us the feeling of a common culture, even though I was in Phoenix and someone was in Des Moines. That now we are getting the global cohort at the same time we have our first global communications. MTV is everywhere.

It used to be that if your automobile broke, the teenager down the street with the wrench could fix it. Now you have to have sophisticated equipment that can deal with microchips. We're entering a world in which the complexity of the devices and the system of interconnecting devices is beyond our capability to easily understand.

In Japan, their written language doesn't translate to keyboards well. So they have problem communicating with computers, so they really feel that what's missing from telephones and computer interfaces is this ability to move around in three-space.