The film's title You Can't Be Neutral on a Moving Train. comes from something I used to say in teaching my students "This is not going to be a neutral class." The world is already moving in certain directions and wars are going on and children are going hungry. Terrible things are happening. And so to be neutral in a situation like this is to collaborate with whatever is going on. And I don't want to collaborate with the world as it is. I want to intrude myself. I want to participate in changing the direction of things. So that's the origin of the title.

But remember, this power of the people on top depends on the obedience of the people below. When people stop obeying, they have no power.

Diverse audiences can be just as misled as homogenous audiences.

The really critical thing isn't who's sitting in he White House, but who is sitting in the streets, in the cafeterias, in the halls of government, in the factories. Who is protesting, who is occupying offices and demonstrating ? - those are the things that determine what happens.

That chain of relationships made me think of how connections are made--you read a book, you meet a person, you have a single experience, and your life is changed in some way. No act, therefore, however small, should be dismissed or ignored.

If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past's fugitive movements of compassion rather than in its solid centuries of warfare.

There is no act too small, no act too bold. The history of social change is the history of millions of actions, small and large, coming together at critical points to create a power that governments cannot suppress.