War is terrorism, magnified a hundred times.

Here's a president who gets 47 or 48 percent of the vote and takes 100 percent of the power, as if he had a mandate. He snuck into the presidency with the aid of political cronies, his father's having appointed members of the Supreme Court, his brother governor of Florida. And then he takes total control. And this is a president who seems to react to everything with force. Now we've had two wars. We've killed a lot of people. For anybody who is interested in not being a warlike nation anymore, and becoming a nation respected in the world, it becomes important to defeat Bush.

What most of us must be involved in--whether we teach or write, make films, write films, direct films, play music, act, whatever we do--has to not only make people feel good and inspired and at one with other people around them, but also has to educate a new generation to do this very modest thing: change the world.

George Orwell said, "Whoever controls the past controls the future," by which he meant that history is incredibly important in shaping the world view of the next generation of people.

Control in modern times requires more than force, more than law. It requires that a population dangerously concentrated in cities and factorites, whose lives are filled qith cause for rebellion, be taught that all is right as it is. And so, the schools, the churches, the popular literature taught that to be rich was a sign of superiority, to be poor a sign of personal failure, and that the only way upward for a poor person was to climb into the ranks of the rich by extraordinary effort and extraordinary luck.

When I say history is a matter of life and death, I mean this: If you really don't know history, you are a victim of whatever the authorities tell you. You have no way of checking up on them. You have no way of deciding whether there is any truth in what they are saying.

I knew that a historian (or a journalist, or anyone telling a story) was forced to choose, out of an infinite number of facts, what to present, what to omit. And that decision inevitably would reflect, whether consciously or not, the interests of the historian.