Just because it's a bad job doesn't mean I need to do it badly.

Acting is largely about putting on masks, and music is about removing them.

Clive Dunn, as I understand it, retired to the south of Spain, where he worked extensively in watercolours. I don't own any of Clive Dunn's watercolours. I loved him in 'Dad's Army,' loved him. But not enough to actually seek out his watercolour work.

People assume that I'm very highly trained, that I studied and did years and years of Shakespeare. I have no training whatsoever and I've only done one Shakespeare play at university. If people want to believe that, I'm happy to go along with it.

Success on a cosmic level completely eludes me. I'm deeply suspicious of things being too good. It's part of my superstition, I think, to generate pain in order to give the illusion of gain. I'm not saying I reject success, but honestly, I don't quite know how to deal with it. It's an old feeling: As soon as you have the thing you've been going after all your life, that reasonable degree of security, you start kicking against it, doubting it.

I wouldn't be able to act like Al Pacino or play the piano like Dr. John, But I could probably act better than Dr. John and play the piano better than Al Pacino.

I am a coffee fanatic. Once you go to proper coffee, you can't go back. You cannot go back.