I find that by putting things in writing I can understand them and see them a little more objectively. ... For words are merely tools and if you use the right ones you can actually put even your life in order, if you don't lie to yourself and use the wrong words.

There is a progression of understanding vis-a-vis pro football that varies drastically with the factor of distance -- physical, emotional, intellectual and every other way. Which is exactly the way it should be, in the eyes of the amazingly small number of people who own and control the game, because it is this finely managed distance factor that accounts for the high-profit mystique that blew the sacred institution of baseball off its ''national pastime'' pedestal in less than fifteen years.

I just usually go with my own taste. If I like something, and it happens to be against the law, well, then I might have a problem.

["Where the Buffalo Roam" is] horrible pile of crap. [Bill] Murray did a good job. But it was a bad script. You can't beat a bad script. It was just a horrible movie. A cartoon. But Bill Murray did a good job. We actually wrote and shot several different endings and beginnings and they all got cut out in the end. It was disappointing.

I've already become a mastodon in print - I don't see a consciousness for my kind of journalism.

[Polo Is My Life] is what's called a sex book - you know, sex, drugs and rock and roll. It's about the manager of a sex theater who's forced to leave and flee to the mountains. He falls in love and gets in even more trouble than he was in the sex theater in San Francisco. Most of my stories are tales of anguish, stress and grief.

Given my calling I had to stumble across people who felt the same way. I was a young reporter.