["Fear & Loathing in Las Vegas"] is a very hard book to translate to film because there's so much interior monologue. The what if factor. I tried to write it cinematically and let the dialogue carry it but I forgot about the interior monologue. It's kind of hard to show what's going on in the head. I think we should do it like a documentary.

Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.

In some circles, the Mint 400 is a far, far better thing than the Superbowl, the Kentucky Derby, and the lower Oakland roller derby finals all rolled into one. This race attracts a very special breed.

No matter how much I wanted all those things that I needed money to buy, there was some devilish current pushing me off in another direction -- toward anarchy and poverty and craziness. That maddening delusion that a man can lead a decent life without hiring himself out as a Judas Goat.

I didn't know Johnny Depp could act until he played me.

I will fight for your right to be weird- just as I know you will fight for mine.

Fiction is based on reality unless you're a fairytale artist.