Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.

There is a progression of understanding vis-à-vis pro football that varies drastically with the factor of distance --physical, emotional, intellectual and every other way. . . Which is exactly the way it should be . . .

I understand that fear is my friend, but not always. Never turn your back on Fear. It should always be in front of you, like a thing that might have to be killed. My father taught me that, along with a few other things that have kept my life interesting.

One of the few ways I can almost be certain I'll understand something is by sitting down and writing about it. Because by forcing yourself to write about it and putting it down in words, you can't avoid having your say on the subject. You might be wrong, but you have to think about it very intensely to write about it.

We must ride this strange torpedo out until the end.

A man who has blown all his options can't afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can't afford to admit - no matter how often he's reminded of it - that every day of his life takes him farther and farther down a blind alley.

I will fight for your right to be weird- just as I know you will fight for mine.