Before she is an individual, a shaman is foremost a vehicle for receiving and expressing the grief and indignation of the people within society. The otherworldly strength that you see during a gut is the raging effort to forget and overcome the weakness of the self and is possible because it bears all the wrath and indignation of the people against oppression. Extraordinary acts performed with remarkable exaggeration encounter the human instinct to demolish one's own limitations, producing catharsis.

For a shaman, all things considered taboo get ripped apart, and one feels the satisfaction of being freed from agony through vituperation and laughter. Hence, shamanism could be said to have developed a means to tackle and override the barriers, oppression, and despair that tend to obstruct life.

Shamanism has a long history and exists to this day because of its ties to universal emotions such as happiness, sorrow, resentment, and love. It can function as an outlet during struggles with life and death and the burdens of society's absurdities including the divide between rich and poor. It opens up a way to confront reality.

In my work, hair denotes the flow of life prior to being freed from pain. I fill the hair with human struggles such as deep-rooted anxieties, stubborn attachment to life, obsessions, and restrictions. Appearing fluid like a live organism, the hair symbolizes longevity and patience, but when it appears coarse, the hair expresses an energetic life force and freedom.

The fabrics I've used in my work are satin and sateen. Sateen is very glossy and far from luxurious. Bright solid colors with too much sheen seem gaudy, pathetic and nostalgia-inducing. Such fabrics are reminiscent of the power of chaos in a shaman's space: overabundant offerings of food on alters, kitschy decorations, provocative shades, vigorous dancing, plaintive singing, absurd fits of crying and laughing, and self-abandonment.

Desire and loss of will tend to hurt the mind, which can lead to fear and compulsion. The result is that we suppress negative emotions, which we've been taught to be shameful of and hide, such as pain, anger, sorrow, and resentment. I take these complex and varied emotions surrounded by obscurity, absurdity, contradiction, and events out of our control such as tragedy, and project them in my work. So I understand that the images can generate fear, confusion, and anxiety in the audience, and if they're difficult to turn away from, it only means that my intention has been communicated.

Art-making is an extension of the kind of spiritual process that shamans unfold in order to demonstrate the connectedness of the world beyond reality.