The archiving industry, much like the funeral industry and the wedding industry, these industries can be very exploitative.

There are certainly good examples of incredibly brilliant, beautiful music that has been made commercially available and sold everywhere. But I would say that, for the most part, quantity certainly does not speak well for quality.

Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.

I've had people call me from bands that are very popular, and they're like, "What do we do? We want to do what you do." It's almost impossible to do what I do, because you would have to start in 1980. You can't just do it.

I don't need any more avenues of communication, and frankly I think people are still working out to realize that it's just a tool[social media] rather than something that you have to do or participate in.

I think it's my nature to engage in things that are more difficult.

Ultimately, I know what I'm doing and why I'm doing it. I'm trying to be a construction worker. I'm trying to make things. If people are not interested in that, fine. I just don't give a damn.