I've always been a bit of a documentarian.

One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.

With Napster and the sharing of music, of course, there are going to be people who exploit it. Greed has no end. But there's a lot of good that could happen. We shouldn't let the economic concerns of the major labels infringe on our freedom to share music.

It's just hard to have a nuanced discussion with like a thousand people, 30 of which are white-power skinheads.

There are certainly good examples of incredibly brilliant, beautiful music that has been made commercially available and sold everywhere. But I would say that, for the most part, quantity certainly does not speak well for quality.

Part of the way the work world works is not so much creating a separation between your work and your free time, but creating the illusion of a separation between your work and your free time. Every day is the weekend for me, which means I'm always busy.

There's also a lot of skateboard stuff, because I was a skateboarder. Somewhere around here I have one of my original boards.