Let's say for instance people say, "He's a really totalitarian, strict guy, he's hard to work with or whatever." I don't think it's true, but people's perception of me leads that direction, like I'm a fundamentalist person. I end up having to spend extra time saying, "I'm not a fundamentalist." I have other stuff to do.

I don't need any more avenues of communication, and frankly I think people are still working out to realize that it's just a tool[social media] rather than something that you have to do or participate in.

The American underground punk scene, though, is a story worth remembering.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.

If You Want To Rebel Against Society, Don’t Dull The Blade

The archiving industry, much like the funeral industry and the wedding industry, these industries can be very exploitative.