I actually looked up in my journal trying to figure out some dates and, in January 1991, America is about to go back into its first sort of actual war since Vietnam, with the Gulf War. It just seemed unbelievable at the time that this country would do that - which is funny to think about now.

Truth is, right now two bombs could drop out of the sky and blow up this house and whatever building you're in and just obliterate Dischord and Pitchfork. And there'll be some people crying, there'll be some slow singing, but for 99% of the world, it won't even affect the fly on their soup. Most of the world never have, or ever will hear of me, Fugazi, or Pitchfork. Right now, someone just got killed in Ukraine. Do you feel any different?

I work at a record label where I have archives. These things [memorabilia] occurred and are important to somebody, and they're important to me. I find the record industry largely repellent. This music, the Teen Idles, all of that stuff, is important to me. I don't have lawyers, an agent or a manager. However I find the music industry largely repellent. I just make records because that's what I love to do. So I think that era, those pieces of media, I keep in my collection.

I don't watch TV but occasionally I'll read the Washington Post. I will say that sports are the only "real thing" on television.

Bars are meeting places and places to unwind. But at some point, what is culture unwinding from, and why can't they meet anywhere else?

What does bother me is that I have to spend time and energy dealing with the ramifications of what people do think about me.

Music is a language and different people who come along are each using that language to do something different, but all coming at it in a similar vein inasmuch as it's always community based and for the most part nonprofit. Most bands don't ever come within a mile of profit - clearly these people are not playing music to make money.