The only thing that drives music is the people who are making it.

American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up. My idea was: Enjoy baking, sell your bread, people like it, sell more. Keep the bakery going because you're making good food and people are happy.

I never, ever had it in my mind that I wanted to be in the record industry, because I still contend that the record industry is an insidious affair. It's this terrible collision between art and commerce, and it will always be that way.

Columbia Heights was a poor, messed up area, and the church was in the middle of it. What happened inside was a reflection of the community. I actually saw my first rock concert on the altar of that church [St. Stephen's].

I think it's my nature to engage in things that are more difficult.

One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.

I appreciate the past, but I want to make new things. That's the problem with the sack on the back - if you carry it around with you, it's like you get hobbled.