In the theatre, the actor is in total control. The director wasn't in the house last night, the designer wasn't there, the author's dead. It's just us and the audience.

My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

Ever since the invention of the camera, people have been trying to create 3D, because we see things in 3D, and everyone's aware that the camera doesn't.

[There's] nothing special about an actor's imagination, except that he uses it a lot.

I think it's one thing to declare your sexuality, if you care about what that is. It's another thing to start talking in public about what you do in private and who you do it with. It's not that they [my significant others] don't want to be identified as gay, but that they don't want to be identified as ... with me.

My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.

Some directors don't tell you that it's not your fault, so you get increasingly depressed that you're not delivering what's required, and then you discover it's not you at all, it's something in the background that's out of focus.