I've worked for more than 50 years on the stage and I have played great, great, great roles, but I haven't played a great Shakespearean role because they're all male. I'm actually very proud of it.

In some roles you do get into a mode of terror. It's always very frightening - the first audiences are frightening.

There is a complete disconnect really or should be a disconnect between the retail price of the milk and what's actually going on in the marketplace, and what influences the farm gate price is the export market.

I become quite inhibited particularly when I do comedy, I won't - there's a whole thing of allowing an audience in and if you - if you cover yourself with a mask of, kind of, severity, which I'm quite good at doing, that's masking fear of course, then people feel shut out.

What takes courage: no make - up. No make - up at all. Like The Matrix. I did the matrix and they had a rule all the characters in The Matrix, except the leads, of course, wore absolutely nothing on their face.

I think it's very important for Arts Ministers to purchase art, to attend art, to validate art.

When you're working in the business and you are genuinely trying to do what's right for consumers, and you're trying to genuinely do what's right for suppliers, but the word doesn't get out, the word doesn't get heard because frankly the media is not interested because it hasn't got a conflict attached to it.