You can measure films on box office success, or people lovin' the movie whenever they see it. That's what I measure my movies on. How much people love these movies after they get a chance to see them, no matter how they get a chance to see them.

People are still tied to their hoods, and it's usually not the artist, it's usually the friends and instigators who get it popping.

I think, to me, reality is better than being fake.

Well, for the transition from rapper to actor, I was fortunate that director John Singleton pursued me for about two years to be in Boyz 'N the Hood. I really wasn't even thinking about acting at the time, since I was singularly focused on being the best rapper in the world. So, that was really a blessing, because I wasn't really taking him seriously.

If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.

If you really think back to the culture or just black America before rap music took off, New York could have been Paris.

Money comes and goes, but your inner feelings, your gut feelings, your manhood, your womanhood, whatever, that stays with you. That don't go anywhere. So you either proud of who you are and how you handle situations or you not. If you handle a situation wrong, you, it will haunt you.