I like music that's more offensive. I like it to sound like nails on a blackboard, get me wild.

If you give a good performance, something that gets some feeling across to people, that’s such a rare gift. It’s underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.

I was feeling that I was the in the dead-end circuit from 1980 to 1983, and I didn't know what else to do. I remember doing a show in some college town, in a tiny club, and afterward some fans came back. I thought I had done good gig and they were going to tell me that.

Miami is nothing like me, and thats why I need to be here - its the opposite. Im practical, where this place is moody, Im stolid in my interior, where this place has a certain flair, and Im materialistic in a sense that this place is fundamentally spiritual - theres a quicksilver quality about this place.

Well, it wasn't like I was going to run out and score heroin and score an ounce of coke - but incidentally, on the road, I would usually get tanked up and as stoned as I possibly could to go on stage. And offstage, it would be a demon that would come up about twice a week.

I never had a checkbook. It used to be cash in hand, stuff in the pocket, or a manager would keep some accounts and give me money. I started to wonder what it must feel like to actually make a profit, pay taxes, and to have a phone listing, and a manager. And also, I was sick of sleeping around every night.

Basically, I’m a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.