Sometimes things that are comfortable are comfortable because it's what you're good at. When you start doing the things you're not as comfortable with, there needs to be a reason for it.

I have grown more forgiving. I accept that not everything is for me. I'm not as in love with my own opinions as I used to be. And anger is not something that comes to me as quickly as it once did.

In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.

There's a lot of music that we've never heard before. It's not like we're just pulling out December's Children by The Rolling Stones and listening to that again and again. We are listening to things we've never heard, but they do tend to be from the past.

We try to be open to letting anything change in the moment.

It's one of the things that makes it enjoyable to keep playing; you have to approach each set differently and make some balance between what you want to do and what seems right.

I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.