There's no one way of telling a story or looking at reality, so I think any device is up for grabs as long as it fits in with the tone.

I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.

People are really excited by Obama abroad because he seems to be the first American presidential candidate who has ambition to go out of the country. In a sense, with the power of globalization, you are kind of electing the leader of the Western world to an extent.

You know, people tend to get stereotyped for about forty percent of their behavior, so if you're completely crazy forty percent of the time you'll get stereotyped as crazy, even if you're totally boring thirty percent of the time and just studious the other thirty percent of the time.

It's all been quite a revitalizing process for me, being out there in the States. It wouldn't have happened without Trainspotting.

You're never going to get beyond other people's preconceptions of what you are and what you're about.

The first of the Trainspotting crew to die. Out of the five of them like, Begbie, Renton, Spud, Sick Boy and [Margaret] Thatcher. Who'd have thunk she'd have been the first to go? She was the invisible author of the book, really. She created the conditions and the hubris whereby that whole culture flourished.