I feed on art more than I ever do on photographs. I can admire photography, but I wouldn't go to it out of hunger.

Sometime in 1964 I realized that I was a victim of a printmaking obsession, a condition that persists today.

I feed on art more than I ever do on photographs. I can admire photography, but I wouldn't go to it out of hunger.

Most of the time the ones who dislike the pictures the most confirm to me that the picture has hit home and is probably truer than I know. Nobody minds a boring picture, they mind a picture that has gotten to the soft core.

I've tried a few times to depart from what I know I can do, and I've failed. I've tried to work outside the studio, but it introduces too many variables that I can't control. I'm really quite narrow, you know.

Using simple equipment and daylight alone is for me a pleasure and a replenishment.

Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.