I don't get many good offers. I like to follow the same kind of path I follow in France. If I don't feel the movie is very original or has a good amount of potential, I don't do it. In the films I've done I can feel I'm part of a specific universe, but those sorts of opportunities are quite rare.

For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!

There are many different ways of being funny. I'm not sure that there's so many different ways of being dramatic.

But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people

Of course you have to create the conditions of a certain belief. And maybe ignoring something that you don't want to see, at least for the time of the shooting.

Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.

Going through this musical experience really helped us to understand the core of the film.