But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.

Like all school students, I think I did a play in my school. The common things, I would say. Nothing really exceptional.

There are many different ways of being funny. I'm not sure that there's so many different ways of being dramatic.

One would expect an actress to stand onscreen mostly as a caricature. If she would say, "I'm selling shoes," you would believe her. She says it and it creates this fiction, non-fiction perception of the film. People believe it because she says it. If she said, "I'm a butcher," people would believe it too, I think.

Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.

Going through this musical experience really helped us to understand the core of the film.

But on the whole, nothing requires unbearable energy for me, it's just a normal thing.