A script is a very rough material in a way. Whatever questions you might have regarding the script, you might find the beginning of the answers in the book.

I never had any barriers coming from my family. Just encouragement.

But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.

Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.

I don't get many good offers. I like to follow the same kind of path I follow in France. If I don't feel the movie is very original or has a good amount of potential, I don't do it. In the films I've done I can feel I'm part of a specific universe, but those sorts of opportunities are quite rare.

I did a film very quickly, and then a lot of work for television, and then I did stage work.

We all pretend to be very strong, and then in a fraction, you can just break down, at least for me.