I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.

Lane himself lit a cigarette as the train pulled in. Then, like so many people, who, perhaps, ought to be issued only a very probational pass to meet trains, he tried to empty his face of all expression that might quite simply, perhaps even beautifully, reveal how he felt about the arriving person. Franny was among the first of the girls to get off the train, from a car at the far, northern end of the platform. Lane spotted her immediately, and despite whatever it was he was trying to do with his face, his arm that shot up into the air was the whole truth.

I'm one of the little foxes that spoil the grapes.

He said you were the only one who was bitter about S.'s suicide and the only one who really forgave him for it. The rest of us, he said, were outwardly unbitter and inwardly unforgiving.

I was surrounded by phonies...They were coming in the goddam window.

The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it's bad if you say anything.

Yet a real artist, I've noticed, will survive anything. (Even praise, I happily suspect.)